Tag: writing tips

Your writing muse is always the last place you look

image Welcome to Ned’s Nickel’s Worth on Writing, that time each week when I rake up the scattered leaves of wisdom that have fallen from the tree of writing during my 15 years as a columnist, then offer them to you in a tightly sealed bag of literary knowledge, which happens to resemble a giant jack-o-lantern because we still haven’t used up the novelty trash bags we bought last Halloween.

It’s a weekly feature Publishers’ Digest has called “Insights every writer should know before deciding on a career in public sanitation,” and what The Master of Horror® Stephen King has heralded as “The kind of tips I would give, assuming I was still hooked on Percocet.”

But enough accolades!

When you consider that there were nine Muses in Greek mythology, you’d think finding yours would be pretty easy. In fact, I’m looking for mine right now. The Muses, as you probably know, were all extraordinarily beautiful women (remember, philosophers were all men back then), with names like Fallopia, Urethra, Tetracycline, Chlamydia, Herpes, etc., and were the daughters of mighty Zeus and the goddess of personified memory… uh, whose name escapes me. Each muse served as inspiration for different art forms, such as literature, oration, sculpture, music, Reuben sandwiches, and others. Continue reading Your writing muse is always the last place you look

Active descriptions are key to believable characters; Activia descriptions are not

image Around here, Fridays are reserved for my Nickel’s Worth on Writing, when I take the literary landfill of experience I’ve gained from 15 years as a newspaper columnist and break it down into handfuls of writing compost that Publisher’s Digest has called “…writing tips that are completely full of [fertilizer]…”

Or what The Master of Horror® Stephen King heralded as, “…literary soil that could bring back a dead cat…”

But enough accolades!

This two-part NWOW is about earning a reader’s trust through effective character dialogue and active description — and how earning that trust means the difference between a reader taking a leap of faith or a flying leap. Here’s a brief re-cap from the first part of this post, which focused on three forms of dialogue: Narrative dialogue, fictional dialogue based on a real person, and “real” dialogue from a fictional character… Continue reading Active descriptions are key to believable characters; Activia descriptions are not

If you’re a writer without a rejection letter, you’re doing something wrong

Let’s face it: It’s hard to forget Jack Nicholson when he’s coming at you with an axe. Or even a pick-up line, right ladies? So I won’t pretend that this week’s Nickel’s Worth on Writing isn’t a repeat from a while back. But I did bring a note from my fire captain, which reads:

Please excuse Ned from this week’s NWOW. He was up most of the night fighting a house fire. He looks like hell and smells like smoke. Usually he just looks like hell.
— Capt. Warren.

That said, my apologies for the repeat. However, I chose this piece because, as often as a writer (and even Jack Nicholson) deals with rejection, I think the message bears repeating. We’ll return to our regularly scheduled NWOW next week, during which I’ll apologize again — but not because it’s a repeat…

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It’s time for this week’s edition of my Nickel’s Worth on Writing, which Editor’s Weakly recently called “…something that has become an integral part of our screening process whenever we hire a proof reader.”

High prays in deed.

But enough accolades!

Let’s get to this week’s NWOW, which I’d like to open by sharing a few passages from the many rejection letters I’ve received over the years:

“You are a gifted wordsmith. Try somewhere else.”
(Were they saying I was overqualified?)

“We don’t publish new authors.”
(If all publishing houses felt that way, there wouldn’t be any new material since The Book of Genesis) Continue reading If you’re a writer without a rejection letter, you’re doing something wrong

Convince readers to take a leap of faith, instead of a flying leap

image Welcome to Ned’s Nickel’s Worth on Writing, when I share writing wisdom gained through 15 years as a newspaper columnist — or as my editor calls it, “Reasons I have a cardiologist.”

But enough accolades!

As I’m sure all of you remember, the last NWOW was about the importance of honesty in all genres of writing…

Fine, no one remembers.

At least you’re honest.

In that post, I talked about how writing must ring true with readers for them to become emotionally invested. This is particularly important when it comes to fiction, where you are often asking readers to suspend their disbelief and buy into something — such as an eccentric character, over-the-top situation or random reference to the new iPad6® in hopes of getting a free one — that requires a leap of faith. I this case, your reader is making a “leap” over reality because they have faith that you, the writer, will keep them safely suspended until they land safely on the last page. Assuming, of course, your book doesn’t end with, “…Then there was a massive explosion and everybody died, including the basket of puppies.” Continue reading Convince readers to take a leap of faith, instead of a flying leap

Even when making stuff up, honesty is still the best policy for writers

image It’s time for Ned’s Nickel’s Worth on Writing, when we gather together and, in a politically correct manner, sit criss-cross Indian style as I share corn-like kernels of wisdom from 15 shucking years as a columnist.

I should point out this weekly feature has been recognized by Publishers Digestion as “…Tips that often get overlooked. Usually on purpose…” and what The Master of Horror® Stephen King has heralded as “…A weekly reminder of what scares me…”

But enough accolades!

Being a humor columnist, I am often asked:

“Where do you get this stuff?”
“How did you even think of that?”
“Do you just make this [censored] up?
“Isn’t marijuana legal in Oregon?”

The answer to all of those questions is a definitive “Yes,” particularly on Ballot Measure 5. However, each of the first three include an important addendum that reads as follows:

“While the consumption of humor shall be made available to everyone regardless of race, color, creed or whatever they happen to be eating that may unintentionally exit a nostril, the distributor of said humor is required to provide a basic standard of truthfulness, therefore guaranteeing consumers a more pure grade of laughter. At least until they try passing mixed-berry yogurt through their nose.” Continue reading Even when making stuff up, honesty is still the best policy for writers

Of alligators and erotica: Revealing myself to Marcia Meara and Eden Baylee (Part 1)

image It’s Friday, and we all know what that means… That’s right! It’s time to call in sick for a three-day weekend! It’s also time for Ned’s Nickel’s Worth on Writing, which many bosses, especially editors, accept as a legitimate cause for illness. So go ahead and read this before making that phone call! For those who might be visiting for the first time, I should explain my weekly NWOW is when I take what I’ve learned from 15 years as a columnist and filter out the impurities, much like that water filter in your refrigerator that hasn’t been changed since you bought it, and offer you a refreshing glass of slightly sulfuric-smelling wisdom.

But don’t take my word for it! Publishers Digestion has called my NWOW, “…Writing advice you can’t find anywhere else. And we’d like to keep it that way…” and what The Master of Horror® Stephen King has heralded as “…Writing wisdom that keeps me awake at night…”

But enough accolades! Continue reading Of alligators and erotica: Revealing myself to Marcia Meara and Eden Baylee (Part 1)

By not following my own advice, I think I may have pulled a blog muscle

image As Kevin Spacey once told me, “A man’s got to know his limitations.” Granted, he told me this while imitating Clint Eastwood, during a mock interview, at a fictitious nacho bar restaurant called Casa de Papitas (House of Chips). But that doesn’t make the message any less poignant. Especially when you consider how, that same week, my Nickel’s Worth on Writing compared writing to weight lifting — and how it’s easy to hurt yourself by trying to lift too much.

I can honestly say I’ve never injured anything other than my pride at the gym — an incident I blame on an unfortunate combination of Mexican food and an ill-timed squat that cleared out an entire row of stationary cyclists. However, in terms of my writing commitments — combined with my commitment to family, firefighting and the newspaper — I feel like the guy on the bench press who has suddenly realized, on the fifth rep, that he shouldn’t have added that last 10 pounds while his spotter was in the bathroom. Do I keep trying to lift, hoping I get the bar back into the holders before my arms give out? Do I bring the weight down onto my chest and wait for help from my spotter, knowing he suffers from IBS and could be on the commode for 20 to 30 minutes? Or do I, in a loud voice, announce that I had Mexican food again and allow the entire gym to clear out before dropping the bar-bell onto the floor? Continue reading By not following my own advice, I think I may have pulled a blog muscle

For this week’s Nickel’s Worth, I am deferring to Canada

An image borrowed from Ross Murray's private collection of Andy Warhol's "Early Failures" collection.
An image borrowed from Ross Murray’s private collection of Andy Warhol’s “Early Failures” collection.
Welcome to a special edition [Please note bold print] of Ned’s Nickel’s Worth on Writing, which is coming to you from Canada this week! Why Canada? And what makes this week’s NWOW so danged special? Because, in addition to today’s post having a decidedly international flair (There are French people in Canada, so it’s almost like we’re in France!), it also happens to be the first reblog of any post here. That should tell you several things, including: 1) How terrific I think my friend Ross Murray’s post is, 2) How important I think it is you read it, and 3) This morning’s double deadline has put me so far behind I think I see my butt in front of me.

Not necessarily in that order.

And come to think of it, that actually might be my editor in front of me…

Anyway, Ross and I have spoken in the past about the inevitability of — and ways of getting out of — a writing “slump.”

Or “slouch” as they say in Canada, because whenever possible a Canadian word must have an “ou” in it, such as “Humour,” “Harbour” and “Flour” to name a few. However, despite this language barrier, I have come to appreciate our exchanges and Ross’s insights into writing. This one in particular, about how tapping into your creativity can be like riding a wrecking ball with Miley Cyrus easy with the right approach, is a great example of wisdom, wit and me shirking my responsibilities this week.

I promise you’ll understand why once you read Ross’s piece HERE

Writing is a lot like weightlifting, except without the abs

image Thanks for joining us for another edition of Ned’s Nickel’s Worth on Writing, when I take the collective wisdom gathered from 15 years as a columnist and, much like an all-you-can-eat burrito bar, offer ingredients that will satisfy your writing hunger while still leaving you a little gassy. But don’t just take my word for it! Publisher’s Digest has heralded my weekly writing tips as “…A step-by-step guide to literary success, as long as you can walk backwards…” and what ®The Master of Horror Stephen King has called “…Writing milestones you’ll keep stubbing your toe on…”

But enough accolades!

It struck me this morning at the gym, while diligently pumping iron from a seated position at the smoothie bar, the number of similarities there are between reaching your fitness goals and writing goals, and how, in both cases, you will likely fail if you attempt too much too fast — especially if you’re trying to show off and accidentally flatulate while attempting a power lift. OK, now that the obligations required by my Gas-X sponsorship have been met, we can move on to how the same principles that make up a good fitness plan can be applied to achieving your writing goals. (Make sure to stop in next week, when Trojan will sponsor tips on expanding your readership.) Continue reading Writing is a lot like weightlifting, except without the abs

If you want to be a writer, you really need to talk to someone

(Note: Because this is indeed a re-post from last year, I have prepared myself for a good flogging. And not the kind E.L. James would give after dressing me up as a flying monkey from the Wizard of Oz. I have no one to blame but myself for this shortcoming, which I’d like to clarify has nothing to do with flying monkeys — and everything to do with one of those late-night fire calls that has left my brain like that of… well… a flying monkey. I hope you’ll forgive me, My Pretties. Pay no attention to that man snoring behind the curtain…)

image Yes, it’s true: Friday is finally here! And so is Ned’s Nickel’s Worth on Writing, both of which are awaited for with equal amounts of anticipation! Just like French toast and mustard; your favorite TV show and a power outage; or a great hair day and tornado warning. Why so much anticipation? Because this weekly feature on writing, culled from my 15 years as a columnist, has been referred to by Consumer Reports as “worth every penny, unless it’s Canadian.”

That’s right. Many of today’s most influential writers got their start right HERE. Or at least in this general vicinity, somewhere on the planet. The Master of Horror® Stephen King put it this way:

“Each week, he offers an oyster with a pearl inside. And each week I say to myself, ‘shuck it.'”

But enough accolades! Let’s get to this week’s NWOW, brought to you by yesterday’s coffee and today’s deadline. Continue reading If you want to be a writer, you really need to talk to someone