Yes, things are quiet here; the calm before the storm.
I say that because today’s post will likely put me in the crosshairs of one of the most powerful men this country has ever purposely been made to forget about. In fact, his systematic disappearance after leaving the White House was so complete that I can’t even remember where I was going with this…
Wait! I remember, thanks to this newspaper clipping, which illustrates the importance of The Door, and why journalistic icon Geraldo Rivera has called it “The Al Capone’s Vault of journalistic treasures. No really, I MEAN it this time!” and why rearviewed… oops, I mean revered… journalist Anderson Cooper has referred to The Door as “A revealing look at journalism, depending on who comes out of the commode.”
Before we get to this week’s entry and identify He Who Shall Not Be Named, I should explain to those who may be visiting for the first time, or those with a medical marijuana card who don’t remember being here before, The Door is a collection of newspaper clippings taped to our bathroom door by reporters here at Siuslaw News since the 1970s. The tradition continues to this day, as does use of the commode on the other side.
In keeping with tradition, we must now join hands and, in a monotoned voice similar to Queen Elizabeth explaining where babies come from to a 23-year-old Prince Charles, recite the following chant:
The Door is a beacon, drawing us into the jagged rocks of journalism
Now for this week’s entry, which is probably already being dialed in by someone with first-strike capabilities. Why? Because it requires me to utter the name…
— Wait, let me out my fingers in my ears first, just in case there’s an explosion —
… Dick Cheney.
Still Here! He must be sleeping or playing Whack-a-Mole.
Anyway, today’s entry is from a 2004 article in The Washington Post, which was picked up from the wire service by the Register-Guard in Eugene, Ore.
I mention this because, to this day, it remains unclear whether the final remark at the end of this lengthy article was part of the original piece written by Dana Milbank, or added later by a copy editor at the Post or Register-Guard. Either way, I draw your attention to the very last word in this piece because I think it effectively articulates how most of us were feeling at the time…
To clarify, this entry would fall under the “Brilliance” category of The Door, although I’m sure there was plenty of “Blame” going on as well.
Whoever you are, Cheers.