Admittedly, I had a bit of a crush on my College Prep English teacher, Mrs. Fillers, who was young, inventive and extremely encouraging to the only freshman in her class of 25 juniors and seniors.
The first semester was a breeze as she allowed us to explore creative writing with few boundaries. Each week, along with our reading assignments, we were given a new list of 20 vocabulary words — usually with a theme — that we were required to use in a story. Most of my classmates crammed as many of those words into a single sentence as they could (The decrepit, cantankerous, ill-tempered man raised his wrinkled, weathered, sallow fist in a show of furious and frustrated rage over losing his car keys…”)
I, on the other hand, fleshed out 15 to 20 pages of handwritten storyline, usually with the last five to six pages devoid of vocabulary words.
I got good grades but, as you can probably imagine, was rarely asked to read my stories in class due to the time constraints of a 45-minute period.
When I fell for Sarah Getlost in the fourth grade, I was taking no chances. My father explained to me that women couldn’t resist a man in uniform. He told me this while wearing a white T-shirt, Bermuda shorts and drinking a beer, so I had to take his word for it. My plan was to wait for our little league candy sale and go to her house dressed in my new baseball uniform.
In theory, it was a good plan.
In reality, Sarah Getlost answered the door wearing her new cheerleader outfit, effectively neutralizing me. So, to impress her, I gave her my candy, a new baseball and all of my money. Although I wasn’t immediately rejected, it came swiftly once my mother found out and forced me to return to Sarah’s house to ask for all my stuff back. I don’t remember exactly what I said, only that it was awkward and involved a lot of gulping to keep the bitter taste of rejection from coming back up.
Although I think all that chalk I swallowed in the second grade helped a little.
Rejection is a part of life, particularly for writers. We set ourselves up for potential rejection every time we send out a query, have an article published online or in print, or post something to our blog or social media page. Thanks to the digital age, we have more ways than ever to receive rejection! Continue reading Finding the good in rejection (especially as a writer)
Several weeks ago in my Nickel’s Worth on Writing, I talked about three of the most important tools a writer wields when it comes to establishing their voice. Does anyone remember what they were?
For the sake of time, and my feelings, let’s just assume everyone remembers those tools and, in a series of uncontrollable outbursts, begin shouting:
No, the third tool is not Cuervo. It’s RELATIVITY. Although I think we can all agree Cuervo does have a way of making even the most abstract things seem relevant.
In this case, however, Relativity means ensuring the reader can relate to what we’re writing about. This is especially true when it comes to personal experience and family anecdotes. For example, that hilarious story about how Aunt Frida got mad and stomped through the garden won’t be nearly as entertaining to readers as it is to you unless, like you, they already know Aunt Frida was a mule. I realize that’s an overstatement, but unless you take time to lay the foundation of your story in a way that involves the reader, they will likely sit down and refuse to follow. Continue reading For writers, word selection is a lot like natural selection