Several weeks ago in my Nickel’s Worth on Writing, I talked about three of the most important tools a writer wields when it comes to establishing their voice. Does anyone remember what they were?
For the sake of time, and my feelings, let’s just assume everyone remembers those tools and, in a series of uncontrollable outbursts, begin shouting:
TIMING! TRUTHFULNESS!
and…
and…
CUERVO!
No, the third tool is not Cuervo. It’s RELATIVITY. Although I think we can all agree Cuervo does have a way of making even the most abstract things seem relevant.
In this case, however, Relativity means ensuring the reader can relate to what we’re writing about. This is especially true when it comes to personal experience and family anecdotes. For example, that hilarious story about how Aunt Frida got mad and stomped through the garden won’t be nearly as entertaining to readers as it is to you unless, like you, they already know Aunt Frida was a mule. I realize that’s an overstatement, but unless you take time to lay the foundation of your story in a way that involves the reader, they will likely sit down and refuse to follow. Continue reading For writers, word selection is a lot like natural selection








