Let’s face it: It’s hard to forget Jack Nicholson when he’s coming at you with an axe. Or even a pick-up line, right ladies? So I won’t pretend that this week’s Nickel’s Worth on Writing isn’t a repeat from a while back. But I did bring a note from my fire captain, which reads:

Please excuse Ned from this week’s NWOW. He was up most of the night fighting a house fire. He looks like hell and smells like smoke. Usually he just looks like hell.
— Capt. Warren.

That said, my apologies for the repeat. However, I chose this piece because, as often as a writer (and even Jack Nicholson) deals with rejection, I think the message bears repeating. We’ll return to our regularly scheduled NWOW next week, during which I’ll apologize again — but not because it’s a repeat…

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It’s time for this week’s edition of my Nickel’s Worth on Writing, which Editor’s Weakly recently called “…something that has become an integral part of our screening process whenever we hire a proof reader.”

High prays in deed.

But enough accolades!

Let’s get to this week’s NWOW, which I’d like to open by sharing a few passages from the many rejection letters I’ve received over the years:

“You are a gifted wordsmith. Try somewhere else.”
(Were they saying I was overqualified?)

“We don’t publish new authors.”
(If all publishing houses felt that way, there wouldn’t be any new material since The Book of Genesis) Continue reading If you’re a writer without a rejection letter, you’re doing something wrong